The center will soon become a major venue, not just for local productions, but also for traveling stage productions from Latin America and Spain. The Teatro attracts not only actors but stage technicians and directors from Southwest cities. It will soon be staging dramas, comedies and variety shows featuring such talents as Juan B. The Teatro Carmen will be the home of Spanish-language productions until
Spanish-language entertainment, amateur and professional, flourished in many forms in Texas before A lively amateur theater dates from the seventeenth century.
The Franciscans in Mexico sought to educate the Indians through religious dramas. Spanish colonists throughout the Southwest continued the practice. Early versions of this and other religious plays are difficult to date. Campa states that they were "modeled after the Spanish autos" that were "strictly seventeenth century at the earliest.
The Spanish-language acting companies that entered Texas from Mexico in the nineteenth century established a theatrical tradition in the United States that continues today, though their advent is difficult to date. Some Mexican-American actors had turned "professional" by In Austin a building called the Mexican Theatre opened in the winter of southwest of the courthouse and near the Colorado River.
It specialized in Spanish-language theatrical fare, but it may have offered other entertainment as well. The permanent structure suggests that both visiting Mexican companies and professional Mexican-American companies residing in the United States performed there on their tours.
Image courtesy of the New Mexico History Museum.
The company had at least four "distinguished" actors well-known on the Mexican stage. One actor, Francisco E. The Laredo audience apparently was pleased with the performances and repertory selections. The company also performed in San Antonio before returning to Mexico.
The actors remained active on the Mexican stage until the end of the century. Touring companies may have established a regular route in Texas by Other theater companies also performed in Texas, according to broadsides, playbills, promptbooks, and private collections of plays and memorabilia.
Most of the actors were from Mexico, but a few came from Spain. These companies occasionally produced other genres, but generally they specialized in opera, operetta, zarzuela Spanish operetta or musical comedyor drama.
The dramatic companies were the most numerous and best documented, a fact that reveals audience tastes and theater practices. At least eight dramatic troupes that performed in Texas had much in common in organization, policy, and practice.
Both audiences and performers emphasized appropriate behavior at theatrical events. The audiences included families and also upper-class Mexican and sometimes Anglo societies.
The theater was an important gathering place. The family was the basis for the acting company and tailored its fare to suit everyone. The theater was a cohesive force in the Mexican American community, a factor shown through the church's willingness to sponsor or participate in the activity.
The theater provided a wide variety of fare for a varied audience and catered to a wide spectrum of community tastes and values.
After the number of theatrical companies performing in Texas increased. The theater in the provinces prospered in part because Mexico City supported thriving companies, provided a training ground for actors, and offered a steady supply of talent to provincial companies. Demand for performances grew as population centers developed farther north.
Provincial troupes provided the entertainment for most of the Spanish-language stage in Texas.The Use of Theatre in Mexican-American Culture Essay Mexican population in the United States as a silent minority group; however, it was not until after World War II that we see a rise in Chicano nationality and identity movements.
The American Theater describes a series of mostly minor areas of operations during World War II. This was mainly due to both North and South America's geographical separation from the central theaters of conflict in Europe and the Pacific. CHICANO THEATRE As stated earlier, the date of the American occupation, , was the technical beginning of Chicano theatre.
According to Roberto J. Garza in his introduction to Contemporary Chicano Theatre, Mexican travelling vaudevillian-type shows known as “Carpas,” and “Tandas,” short musical reviews based on long-ignored Mexican folklore, entertained audiences in the border towns.
2 days ago · “Navidad: A Mexican-American Christmas” will run for three weeks at Thalia Spanish Theatre from Nov. 30 to Dec. 16, Fridays and Saturdays at .
It is an instant hit, bringing Mexican American audiences to the theater that had never attended before. The play become a launching pad for actors such as Edward James Olmos, Lupe Ontiveros, Rose Portillo, Alma Martínez, Tony Plana, Sal López and others.
Buenaventura is one of the GREAT Latin American theatre makers and thinkers and teachers, and The Orgy, is his master piece. On the thirtieth day of every month, it’s orgy day at a libidinous old woman’s house.